Keyboardist/Composer Michael Pelz-Sherman, PhD has been performing professionally on piano, organ,
synthesizers and percussion since the age of 16. Since winning first place at the Eau Claire, Wisconsin Jazz
Quartet competition in 1980, he has continued to refine his voice, absorbing influences from a wide range of
styles and cultures. A graduate of Indiana University and UC San Diego music programs, Michael studied
composition with Earl Browne, Donald
Erb, Harvey
Sollberger, Rand Steiger, Roger
Reynolds, and Brian
Ferneyhough. While a student at IU, he was awarded 2nd prize in the SCI
composition competition for his piece "Earth, Wind, and Wire" for clarinet, percussion, and 2 harps. He
played keyboards and wrote music for the Minneapolis Jazz fusion group "Little Green Men", whose album "Jazz
From Mars" won "Best Jazz Recording" at the 1989 Minnesota Music Awards. He also toured the Soviet Union
that same year as part of the group "Rockhouse", backing up vocalist Prudence
Johnson.
An accomplished software engineer and computer-musician, Michael served as a Musical Assistant at IRCAM in Paris, France in 1992, where he created an original real-time computer-assisted performance system and designed sounds for Netherlands composer Klass Torstensson's Urban Songs. His compositions have been commissioned and performed at the Crested Butte Music Festival, and he is a member of the International Society of Improvised Music. Pelz-Sherman's Ph.D. dissertation, "A Framework for the Analysis of Performer Interactions in Improvised Music", created under the guidance of trombonist/impoviser/author George E. Lewis, demonstrates his deep love for and understanding of the history, development, and structure of creative improvised music that has risen out of American Jazz. In Sept. 2012, he released an album of original music with his progressive jazz group, The MPS Project, which is available on all major streaming platforms. Michael currently resides in Raleigh, North Carolina (USA) where he teaches piano and performs regularly with his jazz trio MPS Trio, the North Carolina Jazz Ensemble, acoustic soul duo The Lounge Doctors, the Will McBride Group, Yacht Rock Tribute band Heavy Weather, and many other groups as a freelance keyboardist. He also serves as a producer and artist-in-residence at Chatham Street Records, an independent record label based in Cary, North Carolina.
For more information:
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Title | Musicians | Date/Place | Notes | Play/Download |
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Shades of Blue | Randy Orsac, Violin. Karl Witt, Piano | Summer 1987, Minneapolis, Minnesota | Duet for violin and piano. Radio broadcast recording from MPR's "Live at Landmark" series. | Download |
For Thomas | MPS, Piano | Feb. 1982, Bloomington, Indiana | Piano solo piece composed for my father's birthday. I was listening to a lot of Bartok and Aaron Copeland at the time. | Download |
Day | MPS, Piano; David Emerson, French Horn | Dec. 1986, Bloomington, Indiana | Piece for french horn and piano incorporating elements of serialism and jazz. | Download |
Anyone Lived in a Pretty How Town | IU Contemporary Vocal Ensemble | Jan. 1984, Bloomington, Indiana | An a cappella setting for small vocal ensemble of e.e. cummings' wonderful poem of the same name. | Download |
Boxes, Bubbles, and Butterflies | Nathan Howard, Piano | 1982, Bloomington, Indiana | Solo piano piece dedicated to mime/contact improv artist Nell Weatherwax. | Download |
Field of Melting Snow | Mike Eads, Tenor Sax; Carol Fry, Cello | 1982, Bloomington, Indiana | A somber and reflective piece. | Download |
Love in the Moonlight | MPS, Piano; IU Contemporary Vocal Ensemble | 1985, Bloomington, Indiana | A setting of an ancient Chinese Poem I translated myself, composed after returning from a year of teaching English and music in Hangzhou, China. 3 sopranos, 3 flutes, strings (vln, vla, cello, doublebass), piano, hammer dulcimer, and electronic tape. Roll over these links to see some excerpts from the score. | Download |
Earth, Wind and Wire | MPS, conductor; IU Contemporary Music Ensemble. Patrick O'Keefe, clarinet | 1986, Bloomington, Indiana | Winner of ASUC/SESAC Composition Contest | Download |
Title | Musicians | Date/Place | Notes | Play/Download |
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Old Man (Neil Young) | MPS, piano; Steve Boletchek, Bass; Bob Jackson, Drums | April 2011, Durham NC | Piano trio cover of one of my favorite Neil Young songs. | Download |
Now Is The Time | MPS, piano; Steve Boletchek, Bass; Jefferey Crouse, Drums | Jan 2009, Cary NC | A piece inspired by the inaguration of President Barack Obama. | Download |
Joy Spring | As Is: MPS - Piano, Tracy Rose - Drums, Andre LaVelle - Bass | January 2003. Terra Linda, CA | Trad Jazz instrumental rendition of the classic Clifford Brown standard | Download |
Autumn Leaves | As Is: MPS - Piano, Lynne Clyde - Vocals, Mike Greenfield - Bass, Peake Saunders - Drums | October 2005. Sebastopol, CA | Original arrangement by MPS. Recorded at Mesa Recording. | Download |
The Big Stomp | Little Green Men: MPS, keyboards, Steve Sklar, electric guitar, Johnna Morrow, flute, Jason Everett, bass & bari sax, Dodd Johnson, drums | July 1989, Minneapolis MN | Original composition by MPS. Steve Sklar, engineer | Download |
Title | Musicians | Date/Place | Notes | Play/Download |
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A Study In Light | MPS, synthesizers and "M" software | Fall 1990, UC San Diego | Improvised live performance using Joel Chadabe's M software. | Download |
Jane and SIVA | Jane Rigler, flute, with SIVA interactive computer music system | 1992, San Diego, CA | SIVA = Synthetic Interactive Virtual Automoton. Original software written in Max/MSP controlling Yamaha TX7 synth module. Careful with those Sys/Ex commands! | Download |
Intricate Ballistics | Computer-generated using CMUSIC by F. Richard Moore and custom DSP software | 1992, San Diego, CA | A computer music piece I created back at UCSD in the early '90's. The sound sources are from a Smithsonian Folkways recording of a Balinese Ketchak Dance. Techniques include "scrubbing", phase-vocoder, convolution, and distortion. This may have been the last piece ever composed using the original CARL VAX PDP11/70 system, which was decommissioned shortly after the piece was completed. | |
Blue Winter | MPS, Piano, E. Scott Warren, bass. Charles Barchuk, drums | July 2012. Chapel Hill, NC | From my "Goes Without Saying" CD. |
Title | Musicians | Date/Place | Notes | Play/Download |
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100% Natural Space Jam | Little Green Men: MPS, keyboards, Steve Sklar, electric guitar, Johnna Morrow, flutes and percussion, Solomon, congas, Bobby Jaycox, drums, John Simon, bass | 1987, Minneapolis MN | Completely improvised studio recording, from the album "Jazz from Mars", which won the Minnesota Music Award for "Best Jazz Recording" in 1987. | Download |
MPS & MC | MPS, Piano and Mark Culbertson, Bass | July 2, 2006. Terra Linda, CA | Pensive atonal improvised duet, recorded just before departing the Bay Area for North Carolina. | Download |
Oracle Bones | MPS, Piano, Sean Geist, bass. Charles Barchuk, drums | July 2012. Chapel Hill, NC | Completely improvised track from my "Goes Without Saying" CD. |
Title | Musicians | Date/Place | Notes | Play/Download |
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MemoryMiner background music | Michael Pelz-Sherman, synths. Steve Sklar, throat singing. | Cary, NC 2010 | Background music for a software application promotional video. | Download |
Raindance | Michael Sherman, hammer dulcimer, synthesizer, percussion. Russ Levitt, bass. Derek Vaughan, engineer. | Bloomington, Indiana, 1986 | A new-agey piece featuring the hammer dulcimer I brought back from mainland China during my time studying and teaching English there. | Download |
The Circus | Michael Sherman, piano & synthesizers; Charlie Erickson (now known as Chuck Love, Bass and audio engineering; Brian Lind, guitar; Dodd Johnson, drums & percussion | Minneapolis, Minnesota 1981 | An instrumental progressive jazz/rock fusion fantasy a la Return to Forever/Gentle Giant. Sorry about the poor audio quality on this one... my old tapes are pretty damn noisy. | Download |
Minimum Wage | The "Rough Edges": Ted Rider, lead vocal, Tom Skamina, Drums, Mark McCormick, Guitar, Michael Sherman, keyboards/backing vocals, "Buzz" Cottingham, bass | Bloomington Indiana, 1983 | DEVO-influenced New Wave | Download |